In a peculiar way, the photograph was the perfect complement to the flood of telegraphic news-from-nowhere that threatened to submerge readers in a sea of facts from unknown places about strangers with unknown faces. For the photograph gave a concrete reality to the strange-sounding datelines, and attached faces to the unknown names. Thus it provided the illusion, at least, that “the news” had a connection to something within one’s sensory experience. It created an apparent context for the “news of the day.” And the “news of the day” created a context for the photograph.

sources

  1. Amusing Ourselves to Death