entertainment
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Neil PostmanOutstanding analysis of American culture of 1980s dominated by entertainment.
Makes a lot of sense to me since I witnessed myself similar changes to the culture growing up in Ukraine during the 1990s and 2000s.
This book is even more actual now in the age of Internet, mobile phones, social networks, instant deliveries etc.
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Both the history and the ever-present possibilities of the television screen work against the idea that introspection or spiritual transcendence is desirable in its presence. The television screen wants you to remember that its imagery is always available for your amusement and pleasure.
Neil Postman -
… that television’s conversations promote incoherence and triviality; that the phrase “serious television” is a contradiction in terms; and that television speaks in only one persistent voice—the voice of entertainment. Beyond that, I will try to demonstrate that to enter the great television conversation, one American cultural institution after another is learning to speak its terms. Television, in other words, is transforming our culture into one vast arena for show business. It is entirely possible, of course, that in the end we shall find that delightful, and decide we like it just fine. That is exactly what Aldous Huxley feared was coming, fifty years ago.
Neil Postman -
… telegraphy did something that Morse did not foresee when he prophesied that telegraphy would make “one neighborhood of the whole country.” It destroyed the prevailing definition of information, and in doing so gave a new meaning to public discourse. Among the few who understood this consequence was Henry David Thoreau, who remarked in Walden that “We are in great haste to construct a magnetic telegraph from Maine to Texas; but Maine and Texas, it may be, have nothing important to communicate…. We are eager to tunnel under the Atlantic and bring the old world some weeks nearer to the new; but perchance the first news that will leak through into the broad flapping American ear will be that Princess Adelaide has the whooping cough.”
Neil Postman -
… ensemble of electronic techniques called into being a new world—a peek-a-boo world, where now this event, now that, pops into view for a moment, then vanishes again. It is a world without much coherence or sense; a world that does not ask us, indeed, does not permit us to do anything; a world that is, like the child’s game of peek-a-boo, entirely self-contained. But like peek-a-boo, it is also endlessly entertaining.
Neil Postman -
Liberation cannot be accomplished by turning [television] off. Television is for most people the most attractive thing going any time of the day or night. We live in a world in which the vast majority will not turn off. If we don’t get the message from the tube, we get it through other people.
George Gerbner -
Tyrants of all varieties have always known about the value of providing the masses with amusements as a means of pacifying discontent. But most of them could not have even hoped for a situation in which the masses would ignore that which does not amuse. That is why tyrants have always relied, and still do, on censorship. Censorship, after all, is the tribute tyrants pay to the assumption that a public knows the difference between serious discourse and entertainment—and cares. How delighted would be all the kings, czars and führers of the past (and commissars of the present) to know that censorship is not a necessity when all political discourse takes the form of a jest.
Neil Postman
